I’ve known and loved Kwai Fei’s works for almost a decade. Painting Suite (2008), a triptych* of his earliest minimalist geometric paintings hangs in my bedroom. [* A triptych is a set of three separate works that are meant to be seen together as one complete work. A diptych would be a set of two separate… Read more
My experience at “1st Beyond Pressure International Performance Art Festival” in Yangon, Myanmar. Published in Off The Edge, April 2009.
The first time I heard about Beyond Pressure was when I met Moe Satt in February 2007, during his short residency in Malaysia… Read more
Essay published in the catalogue of my collaborative exhibition with Lydia Chai, “ChinChai”.
How is distance, the chasm that delineates and separates, measured in art? What are the quantifiable forms that we can employ to visually express the span of… Read more
Essay about New Zealand artist Sriwhana Spong’s exhibition “Beetlejuice”. Published in Column 2: 2008 Biennale of Sydney Critical Response.
To pinpoint one’s place in the world today is not easy. One reason for this is that we can no longer be sure where anything comes from…
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Essay about Australian artist Tony Twigg’s work. Published in “Tony Twigg: Encountering The Object”, a book edited by Gina Fairley and published by SLOT.
I first encountered Tony Twigg’s work in Aesthetics of Addiction (2006). The exhibition was the culmination of a yearlong… Read more
