Creatures on the Move (In the Death of Night)
A series of photographs of shadow puppets, lit solely by the flare of Hengyuan Refinery in Port Dickson, Malaysia. Our house is 200m from the fence. Read more
A series of photographs of shadow puppets, lit solely by the flare of Hengyuan Refinery in Port Dickson, Malaysia. Our house is 200m from the fence. Read more
‘I Like This Place’ is about a small mangrove beach located in the Jalan Rumah Rehat area in Port Dickson, Negeri Sembilan. The week-long event was held in a rented bungalow next to the beach. I showed a series of intaglio and collagraph prints inspired by the landscape of that place. Afterwards, visitors could go to the beach and experience it for themselves. Art became a means for a more intimate and direct relationship with the land. Read more
The title of this post belongs to my friend L.Low, who texted it to me as a joke sometime last year while I was preparing my work ‘In The Skin of A Tiger: Monument to What We Want (Tugu Kita)’ for Singapore Biennale 2019. Gnarly is American slang for a tough, intense or complicated situation… Read more
Singapore Biennale 2019 will open to the public on 22 Nov 2019. My installation and participatory performance ‘In The Skin of A Tiger: Monument to What We Want (Tugu Kita)’ can be viewed at the Coleman St. entrance of National Gallery Singapore. Read more
Malaysian artist Sharon Chin is calling for 150 participants in Singapore to join her in the making of “In the Skin of A Tiger: Monument to What We Want (Tugu Kita)”, an artwork commissioned by the Singapore Biennale 2019. The artist is inviting members of the public to sew on 13 plain banners made from… Read more