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I spent the last six weeks making paintings that will be shown in a museum in Australia. Ten years ago, getting into that exhibition and that museum was the height of my ambition. I think about that when I look at these drawings on notebook paper, and puzzle over the gap between my professional artist life and the life that produces drawings like the one above. I remember that all the while I was making it, I hated my drawing – the lack of skill, the amateurism, the banality of what I’d chosen to draw… everything. For 20 minutes or so I walked the very edge of balling the paper up, tossing it into the trash and never drawing again.

That edge thrills and terrifies me. I want to go back there again and again, to trace it in time and space – my imperfect hand making those imperfect lines, not knowing where to go, not knowing how to finish, or why. Doing it anyway.

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Antid Oto – italian for antidote – was one of Leon Trotsky‘s earliest pen names. I also love the Malay word for it: penawar. A few months ago, I started taking regular walks and making drawings afterwards as a way to deal with worry, procrastination, hopelessness, writer’s block, internet rage, and digital distraction. I’ll post a series of them here, one every other day, for as long as I keep making them.

These were first posted on my Facebook page.

This is the process: at the scene, I scribbled notes as fast as could – a sort of visual shorthand consisting of dialogue snippets and rough shapes. I took tons of iphone photos, so I could corroborate my impressions and fill in gaps. I also took short videos of important scenes (like the arrest) in order to capture dialogue accurately. Next time I’ll bring a tape recorder.

After the protest, I tried to draw the story sitting on a curb outside Pertama complex, but found it impossible to shift immediately from observation mode to narrative mode, so I put the whole thing together when I got home. I’m working on my drawing muscle to see if I can close that gap. Between the end of the event, getting home, and finishing the story, I avoided speaking to anyone. Memory has a short half-life. Immediacy is what I’m trying to get onto the page, and I have to do it fast, even if the impulse is to slow down and process what happened.

I’m inspired by the illustrated journalism (sometimes called graphics, comics or visual journalism) of Susie Cagle, Molly Crabapple, Quinn Norton, and stories published by Symbolia, The Nib and Cartoon Movement. Also see artists who sketched the Umbrella Revolution in Hong Kong, and the wonderful graphic novels published by Sarai in India. In Malaysia, see Adventures of a KL-ite in Afghanistan by Zan Azlee and Arif Rafhan Othan, and Mimi Mahsud’s Kuala Terengganu in 7 Days.

You can read my story Currents: Water Power in the Interiors of Sabah, which is the first in a series of stories about water issues in Malaysia.

fire1 fire2 fire3 fire4 fire5

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Once again, this page was inspired by Lynda Barry‘s work. I have endless gratitude to her for showing me an approach to drawing that has less to do with skill, and more to do with the relationship between the eye, the brain and what she calls the ‘original digital devices’, the hands.

This is a fascinating study that asked artists and non-artists to draw with the same picture with both hands – their non-dominant hand, and the one they used everyday. The results are unexpected!

I tried it myself just now on a sheet of paper, and it’s kind of mind-blowing. I think the line quality (even though shaky) and proportion I achieve with my left, non-dominant hand is… wow. Also, I don’t have that moment’s hesitation right before I start drawing with my normal hand. I’m going to try this more, and might post the results later on.

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I’ve been chasing deadlines the last few weeks, or been chased by them – hence the sporadic posting. I’m not going to apologize, although the words every person who’s owned a blog has typed at least a few times are right there at my fingertips, begging to be let out in groveling apology to… who? The internet? My imagined readers? The cyborg gaze of some mysterious bot passing over this part of the web?

‘Sorry I haven’t posted in awhile.’

I’ve been busy with ‘real work’, but what’s that? Work that I get money and/or recognition for. With social media feeds taking over the internet, these drawings and this website have come to feel like making music in my own bedroom – it gets me no money and no recognition. But it’s still work. It’s the first to slip when ‘real work’ takes over, but like the base rhythm to a song, I always come back to it. This kind of unpaid and unrecognized work is the foundation, the spring that never runs dry. Without the sweeping of the porch, and the sudden noticing and ordering of yellow things, nothing else comes easy.

Hold fast to the great thought
and all the world will come to you,
harmless, peaceable, serene. 

Walking around, we stop
for music, for food. 
But if you taste the Way, 
it’s flat, insipid. 
It looks like nothing much,
it tastes like nothing much. 
And yet you can’t get enough of it. 

From Lao Tzu’s Tao Te Ching (the version by Ursula Le Guin)

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Antid Oto – italian for antidote – was one of Leon Trotsky‘s earliest pen names. I also love the Malay word for it: penawar. A few months ago, I started taking regular walks and making drawings afterwards as a way to deal with worry, procrastination, hopelessness, writer’s block, internet rage, and digital distraction. I’ll post a series of them here, one every other day, for as long as I keep making them.

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I remember the day I drew this tree, a bunch of them were in full bloom in the park. A child stood under one, arranging a posy from fallen blooms carpeting the ground. Tree and child were outlined against the evening light. She was laughing. Adults took pictures with their smartphones.

The all-knowing Internet just told me this cherry blossom of the tropics is the Tecoma tree, tabebuia rosea. I love the Bahasa name for it: pokok kertas tisu, or tissue paper tree.

I have a perfect childhood memory of making flowers out of pink and white tissue paper, secured with wire in the middle. Not the special craft tissue paper that people do Pinterest tutorials with these days, just ordinary blow-your-nose stuff.

I never knew about this tree until a couple of years ago, but every time I see them I feel intensely happy and nostalgic. Yes, they are beautiful, but I think that memory of tissue paper craft flowers also has something to do with it.

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Antid Oto – italian for antidote – was one of Leon Trotsky‘s earliest pen names. I also love the Malay word for it: penawar. A few months ago, I started taking regular walks and making drawings afterwards as a way to deal with worry, procrastination, hopelessness, writer’s block, internet rage, and digital distraction. I’ll post a series of them here, one every other day, for as long as I keep making them.

 

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A pao, or 包, is a steamed bun made of rice flour, stuffed with sweet or savory fillings. The most famous is Char Siew Pao, which is sweet barbecue pork. My favorite is a vegetarian bun.

I like to sit on my front door step in the evening and watch the sky turn to night. Evenings are one of the reasons I love to live in this country. Home is climate. I love these lines from a poem by Salleh Ben Joned:

Kebisuan langitmu tidak mengapa
Kerana rimbamu penuh kata-kata
Dalam kesentiasaan cuaca hakikatmu
Aku rasa suatu kebebasan yang baru

This is the beautiful translation by Adibah Amin:

What does it matter if your skies are silent
For your forests are articulate
In the constant clime of your essence
I taste a new freedom

I first read these lines when I came home from studying overseas in 2005. I’ve lived with them for more than ten years. They are another way home.

Zedeck saw my drawing and said: What about an imPAUsible cat? So I drew that too.

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Antid Oto – italian for antidote – was one of Leon Trotsky‘s earliest pen names. I also love the Malay word for it: penawar. A few months ago, I started taking regular walks and making drawings afterwards as a way to deal with worry, procrastination, hopelessness, writer’s block, internet rage, and digital distraction. I’ll post a series of them here, one every other day, for as long as I keep making them.

 

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The Janet in this letter is Janet Lilo. She lives in New Zealand, and we have not seen each other for six long years. She is a very great artist. You can find her here.

And here are the Sierra Leone Refugee All Stars:

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Antid Oto – italian for antidote – was one of Leon Trotsky‘s earliest pen names. I also love the Malay word for it: penawar. A few months ago, I started taking regular walks and making drawings afterwards as a way to deal with worry, procrastination, hopelessness, writer’s block, internet rage, and digital distraction. I’ll post a series of them here, one every other day, for as long as I keep making them.

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There’s a saga tree in the park where I go running.

A friend used to tell me that I have to think of myself as a runner, not a jogger. Running is like being a hungry shark, eating up the distance with your killer feet. Jogging… jogging is like, bad running. Jogging is for pandas, or similar soft and chubby animals, who grumble and whine and sometimes can’t get out of bed.

I’m more of a jogger. Which is to say, I hate running. Or rather I hate myself and all the terrible resistance up to the point I actually start running. The running itself is not too bad – my heart rate goes up, and suddenly, for a moment, I no longer hear the chattering of my mind, and am just a pair of feet and lungs.

Anyway, every time I make it to the park, I pick up a saga seed and put it in my pocket to take home. I keep them in a jar on my desk. I like to see it there, those hard little stones of pain and effort, a fistful of bright blood-red. Stone by stone, drop by drop. That’s how to work.

~

Antid Oto – italian for antidote – was one of Leon Trotsky‘s earliest pen names. I also love the Malay word for it: penawar. A few months ago, I started taking regular walks and making drawings afterwards as a way to deal with worry, procrastination, hopelessness, writer’s block, internet rage, and digital distraction. I’ll post a series of them here, one every other day, for as long as I keep making them.