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“These souls, fleeing the Sultan’s cruelty, sadly they cannot live with us. To live a life of piratical liberty, one must have sea-worth, able to court and cower before Mother Ocean.”

“In their souls they are uplanders. They have hill-shaped hearts. They can neither read star-charts nor savour the taste of spray. They’re simply not made that way!”

Having justified themselves, the pirates of the island prepared a care package — a barrel of beer; a netful of fish; twelve blankets, folded, lowered by crane onto the outcasts’ largest raft. Along with a letter, saying:

“Ho there travellers! Unfortunately, you may not settle here. Sorry! Have these gifts, no strings attached, with our sympathies, and this whale-bone recorder,”

— at which point a flute fell out of the unfolded page —

“with which you might use to attract a dragon-spirit’s pity. Hopefully! Thank you. Please go.”

I made illustrations for ‘Whalebone and Crabshell’, a fable by Zedeck Siew. It was spurred by the Rohingya refugee crisis, or rather by our shameful response towards said crisis.

Some notes that might be of interest:

The floral motif decorating the landmass in the first picture is a Thazin orchid, royal flower of Burma. The most prized come from mountains in Rakhine state, on the west of Burma bordering Bangladesh, which is also the traditional home of the Rohingya people.

The gilt borders feature the ASEAN (Association of Southeast Asian Nations) emblem, where ‘the stalks of padi in the centre of the Emblem represent the dream of ASEAN’s Founding Fathers [sic] for an ASEAN comprising all the countries in Southeast Asia, bound together in friendship and solidarity’.

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I’ve been a fan of Mothers News for awhile now. I can’t remember how I found out about it. The internet that I love is so different from the way corporate-owned social media works. I have nodes, fixed points of reference that I keep going back to (favorite writers or creators, but also sites like this and this), and they lead me to other things, some of which become new nodes. It’s internet scaled to the human in me.

Social media feeds, on the other hand, turn me into a scroll zombie, an eyeball machine with a measurable attention span. The very architecture of the feed functions differently from the internet that feels like my home.

Anyway, Mothers News. I can’t remember who or what led me there, only that it became one of my online nodes. It’s a free monthly newspaper created by someone in Providence, Rhode Island. 5000 copies are printed, supported by subscribers all over the world, and also by ads. The ads, like everything about Mothers News, are strange and magical.

The drawing above is a rough draft for a kids’ activity book commission. I was past deadline, and stuck. There was nothing I wanted to do more than stay home and berate myself about it, but instead, I took a walk around my neighbourhood, Taman Toh Kee Kah. Somewhere below the buzzing worry, my inner eye could still register the shapes of plants, and bits of trash on the road, and squirrels hopping past on their electrical wire highways, and the deepening colours of the evening sky…

Walk, walk, walk.

I thought about how I was struggling with my other illustrated journalism project. I thought about how stupid it would be if I made a newspaper that only reported on the tiny circuit of my walk – one block of houses, down the hill to the main road and back up again. I’d record all the trash I saw, make portraits of the trees, do an impossible tally of the weeds. I’d document different gates – the old iron ones with their simple, beautiful, repeating patterns, the newer ones high chromed and generic. I’d survey the cats.

Walk, walk, walk.

I thought about how neighbourhoods were central to Murray Bookchin’s ideas of Social Ecology and Libertarian Municipalism. I remembered how much I loved Mothers News, and quite suddenly, I knew I had my idea for the kids’ activity book: a template for a Totally Regular Neighbourhood newspaper that they could fill in, photocopy and distribute.

I got home, immediately sat down to draw a draft, and emailed my proposal to the editors.

It was going to work.

I was glad I went for that walk.

~

Antid Oto – italian for antidote – was one of Leon Trotsky‘s earliest pen names. I also love the Malay word for it: penawar. A few months ago, I started taking regular walks and making drawings afterwards as a way to deal with worry, procrastination, hopelessness, writer’s block, internet rage, and digital distraction. I’ll post a series of them here, one every other day, for as long as I keep making them.

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This is an exercise adapted from Ivan Brunetti’s Cartooning: Philosophy and Practice, basically a master cartooning course in the form of a slim book. The chapters are divided into weeks, 15 in total, with exercises and assignments each week. The first is ‘Spontaneous Drawing’, which contains this gem:

Exercise 1.3

Pencil out a grid (or grids) in your sketchbook, enough to contain 100 small drawings. Now, spending no more than 5 seconds per drawing, let your stream of consciousness guide you, drawing whatever word comes to mind (do not stop to think about it). Examples: persons, places, objects, occupations, concepts, emotions, etc. You should, at the end, have a little system of pictograms. 

It’s both harder and easier than it sounds. Hard, if you tend to think about drawing as your hands driving a car, instead of receiving then transmitting ‘whatever word comes to mind’, as the exercise asks. Easy, because if you can let go, the images will come pouring out of your hand onto the page.

The effort is in the particular quality of attention that you need to hold yourself in to be able to do this. It has little to do with drawing skill, or ‘talent’ as we’re used to understanding it, i.e. making something look life-like.

When I did the exercise above, I was surprised at the images swimming in my head, all the little details of things I could remember, in the two hours that had passed since waking up, going out to breakfast and coming home to draw.

I want to practice this more, but I find it hard, because just before I sit down to do it, I feel as though I’m about to jump off a cliff. When I’m doing it however, it’s the easiest thing in the world, like breathing or being a note of music.

It’s just… that cliff!

~

Antid Oto – italian for antidote – was one of Leon Trotsky‘s earliest pen names. I also love the Malay word for it: penawar. A few months ago, I started taking regular walks and making drawings afterwards as a way to deal with worry, procrastination, hopelessness, writer’s block, internet rage, and digital distraction. I’ll post a series of them here, one every other day, for as long as I keep making them.

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Zedeck scolded me for taking limes from the tree without permission, but I felt not a hint of remorse. If there’s one thing fruit trees can teach you, it’s abundance. When the durian tree in our backyard was in season, there was too much fruit everyday. We went around on bicycle giving them to everyone we knew in town – it felt like depositing gold in the community. Seasonal gold.

The nangka tree next to the front gate constantly produces. I made an artwork about it. We believe that the endless surplus of nangka has nurtured at least two generations of musangs and countless squirrels by now. I often find their poop scattered around the driveway near the tree.

~

Antid Oto – italian for antidote – was one of Leon Trotsky‘s earliest pen names. I also love the Malay word for it: penawar. A few months ago, I started taking regular walks and making drawings afterwards as a way to deal with worry, procrastination, hopelessness, writer’s block, internet rage, and digital distraction. I’ll post a series of them here, one every other day, for as long as I keep making them.

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The Mary Oliver poem from the previous day’s drawing led to this one, specifically, the line ‘you only have to let the soft animal of your body love what it loves’.

If someone had asked me straight up, ‘what do you love?’, I probably would not have said ‘cute animals’. Drawing seems to call forth responses from different parts of the mind, or the self. Not only that, it makes us hear a question differently.

What would happen if a Q & A were conducted entirely via drawing? How bout a parliamentary session?

The other day I was talking with Zedeck about how the game Charades was an excuse for people who would otherwise never dream of drawing, to actually do it. We started to think about inventing other games that would sneakily compel people to draw.

This video compels me to draw. Sometimes I search it out on the internet, as if replaying a song I want to hear again. Bat and Hat by Becky James:

~

Antid Oto – italian for antidote – was one of Leon Trotsky‘s earliest pen names. I also love the Malay word for it: penawar. A few months ago, I started taking regular walks and making drawings afterwards as a way to deal with worry, procrastination, hopelessness, writer’s block, internet rage, and digital distraction. I’ll post a series of them here, one every other day, for as long as I keep making them.

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Here is Mary Oliver reading the full version of her poem, “Wild Geese”:

~

Antid Oto – italian for antidote – was one of Leon Trotsky‘s earliest pen names. I also love the Malay word for it: penawar. A few months ago, I started taking regular walks and making drawings afterwards as a way to deal with worry, procrastination, hopelessness, writer’s block, internet rage, and digital distraction. I’ll post a series of them here, one every other day, for as long as I keep making them.

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While facing a difficult project, a notebook can be an imaginary friend – a way for the mind to talk to itself so it can find out where it needs to go. The way cannot be found by thinking, only by making.

I owe so many of these ideas and methods to Lynda Barry’s books What It Is and Picture This.

~

Antid Oto – italian for antidote – was one of Leon Trotsky‘s earliest pen names. I also love the Malay word for it: penawar. A few months ago, I started taking regular walks and making drawings afterwards as a way to deal with worry, procrastination, hopelessness, writer’s block, internet rage, and digital distraction. I’ll post a series of them here, one every other day, for as long as I keep making them.

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I love the romance of rebellion; I could drink the beauty and glamour of courage for days. But lately, it hasn’t been enough. I don’t think it ever was, for me. I’ve started to think about resistance as slow, banal, steady work – stitch by stitch rebuilding, reworking, remaking.

Jahit in Malay means ‘sew’, jahat means ‘bad’. Pen- is the suffix that turns them into nouns: penjahit is a person who sews, penjahat is a person who does bad things.

~

Antid Oto – italian for antidote – was one of Leon Trotsky‘s earliest pen names. I also love the Malay word for it: penawar. A few months ago, I started taking regular walks and making drawings afterwards as a way to deal with worry, procrastination, hopelessness, writer’s block, internet rage, and digital distraction. I’ll post a series of them here, one every other day, for as long as I keep making them.